Eric Perkins

Daddy B. Nice's #94 ranked Southern Soul Artist

Portrait of Eric Perkins by Daddy B. Nice

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"Green Onions"

Eric Perkins

Composed by Steve Cropper, A. Jackson, B. Jones & Lewis Steinberg

July 1, 2010: Daddy B. Nice highlights Mid-Decade Stars of Southern Soul

(Artists who flourished in the mid-years of the first decade of the 21st century.)


June 28, 2010: Update

I'm constantly alerting readers to the sounds that make Southern Soul music unique and distinct from other sub-genres of R&B. The unheralded artists behind the scenes often have as much or more to do with that sound than do the performers whose images grace the CD jacket.

Such is the case with Eric Perkins, who instead of recording albums as a solo artist has opted to work as a producer, writer and arranger on many of the cutting-edge Southern Soul releases of the last half-decade.

2005: Girl Talk by La'Keisha

Programming, Engineer

2005 & 2006: Live with the Candy Licker [DVD] by
Marvin Sease and Live with the Candy Licker CD by Marvin Sease


2006: 3rd Family of Southern Soul, Vol. 3: The Blues--Various Artists by Hep'Me Records


2006: You're My Angel by Ms. Jody


2008: Buy Her Roses by Eric P.

Bass, Composer, Producer, Writer

2008: Heart Of Soul by the King Tutt Band.

Eric Perkins' credits include: Arranger, Composer, Keyboards, Producer, Horn Arrangements, Group Member

2010: I'm the Man For The Job by Lee "Shot" Williams (CDS)


2010: Hard Times by Willie B.


2010: Smokin' by Will Easley



Daddy B. Nice's Original Critique:

The multi-talented newcomer Eric Perkins is like a kid in a candy shop. The "candy shop" is rhythm and blues, and Perkins has to taste everything (leaving wrappers everywhere, no doubt) in his rush to get to the next style. If he didn't execute his musical exercises with chameleon-like dexterity, delivering highly accessible, almost pop-like tunes, we wouldn't be talking about him. But his lack of an an artistic identity can be annoying.

For instance, Perkins' "Da Dogg" takes your Daddy B. Nice back to the cavernous, eighties-era Paradise Garage in lower Manhattan, with a couple of thousand half-naked dancers raising arms and tilting heads and barking at the rafters to "Atomic Dog."

Before you know it (if you listen to the Stations of the Deep South) you're liable to hear "Green Onions" done in a faithful but--you become increasingly aware--super-charged and charismatic version that is possibly a "smidgen" better than the Booker T. original. (At least at this point in time.) And who is responsible for this "Green Onions" sacrilege? Eric Perkins.

Listening to "Green Onions" done by Eric Perkins is a primer in how not to let go of a desired artistic goal. 99% of musicians would have quit on this cover a few bars into the song, content to rest on the technical freshness Perkins brings to the song in just those first few phrases. But Perkins isn't content with that.

He gets so far into Steve Cropper's guitar groove that you would think the MG's had been reincarnated in Perkins' head. Perkins takes "Green Onions" and just won't let go. He works it "every which way but loose"--sometimes emphasizing the organ, sometimes the guitar--but always pushing the faithful-to-the-original momentum.

"Hood Rat," with its anti-snob message, may be Eric Perkins' most original recording.

"I'm tired of these upper-class women.
I'm going to buy me a hood rat.
'Cause when I need me some good loving,
I know she'll have my back."

"Hood Rat," with its heroine "who don't mind Kentucky Fried Chicken," owes something to Charles Brown, but it's more "pop," perking along with lots of energy and zip, with a rhythm section almost too full of bells and whistles. Mel Waiters is an obvious songwriting influence, but Perkins' vocal on "Hood Rat" has a long way to go to be ranked with the maestro of "Hole In The Wall."

"Hood Rat" is light fare in the way T. K. Soul or Vick Allen is "light," or in the way early Michael Jackson was "light." Like the tunes of those artists, "Hood Rat" carries a lot of "pop" DNA. So it should come as no surprise that the last Eric Perkins song to be featured here signals yet another dramatic departure in style.

"Behind Every Strong Man Is A Good Woman" is Eric Perkins' attempt at a slow, dramatic showpiece. Here the song's antecedents are Southern Soul heavyweights like the Latimore of "Let's Straighten It Out," the Tyrone Davis of "Where Are You, Lady?" and the "Just One Lifetime" of J. Blackfoot.

What's most enlightening about "Behind Every Strong Man Is A Good Woman" is Perkins' vocal. Whereas his singing on the rest of his debut CD, Hood Rat, Mardi Gras, 2003) is one-dimensional, in "Behind Every Strong Man" Perkins uses the song's dramatic structure and theme to "stretch out" and show that he can project emotion and passion.

Which path Perkins takes into the future--the technical but derivative wizardry of "Green Onions," "Hood Rat" and "Da Dogg" or the emotionally-rich texture of "Behind Every Strong Man Is A Good Woman"--is anyone's guess, and probably Perkins' greatest challenge in taking the next step in his career.

--Daddy B. Nice

About Eric Perkins

Eric Perkins is best-known as the "high-tech kid" behind the studio glass on Marvin Sease's CD's over the last decade, a period in which, coincidentally or not, Sease's career has been rejuvenated and solidified as one of contemporary Southern Soul's two or three undisputed masters.

Perkins' first credited technical work came as an engineer on Sease's 1996 album, Please Take Me. He garnered both engineering and programming credits on Sease's 1997 release, The Bitch Git It All.

In 2001 Perkins added drum and percussion programming to his duties on Sease's Women Would Rather Be Licked CD and, in 2002, keyboards on Sease's arguably most influential album of the decade, I Got Beat Out. This was the disc that contained Sease's popular singles, "Do You Qualify" and ""I'm Going Out."

Perkins has also undertaken studio work for other artists, including up-and-coming vocalist La' Keisha's sophomore effort (Girl Talk, Waldoxy, 2005) ("1-800-Good-Man," "What You Won't Do," "Girlfriend," etc.).

As a solo performer Eric Perkins has released one CD, Hood Rat (Mardi Gras, 2003). The CD has gained more than a little attention on the Stations of the Deep South, with the songs, "Hood Rat," "Green Onions" and "Behind Every Strong Man Is A Good Woman" in particular nailing down solid runs as singles on the chitlin' circuit. Perkins composed the bulk of the material on the CD.

Additionally, Perkins has been a popular choice for Southern Soul sampler albums. "Hood Rat" was featured on Mardi Gras' 2003 compilation, Ultimate Southern Soul, the album that introduced The Love Doctor's "Slow Roll It" and many other distinguished artists (Sir Charles Jones, Big Ike, etc.) to the public.

Also, Perkins' version of "Green Onions" was featured on Mardi Gras Records' Hot New Southern Soul, Vol. 2 (2004), and his Funkadelic homage, "Da Dogg," was highlighted on Down South Party Mix (Mardi Gras, 2005).

Song's Transcendent Moment



1. Eric Perkins has gained one huge fan among Southern Soul deejays. Highly-respected radio jock DJ Outlaw of Jackson, Mississippi's WMPR used "Behind Every Strong Man Is A Good Woman" as a theme song for the "Housewife's Hotline" segment of his daily "Blues In The Bedroom" program through most of 2005.

2. Eric Perkins' "Hood Rat" utilizes a time-honored technique, the listing of cities--in this case, urban black enclaves--in the fashion of Marvin Sease's "Hoochie Momma." "Hood Rats" takes the prize for the most geographically accurate list of such "hoods" yet, from the "west side of Montgomery, Alabama" to "Don't forget the 5th Ward in Houston, Texas."

If You Liked. . . You'll Love

If you loved Booker T. & The MG's' "Green Onions," chances are you'll also
like Eric Perkins' "Green Onions."

Honorary "B" Side

"Behind Every Strong Man Is A Good Woman"

5 Stars 5 Stars 5 Stars 5 Stars 5 Stars 
Sample or Buy Green Onions by Eric Perkins
Green Onions

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy Behind Every Strong Man Is A Good Woman by Eric Perkins
Behind Every Strong Man Is A Good Woman

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

3 Stars 3 Stars 3 Stars 
Sample or Buy Bad Fingers by Eric Perkins
Bad Fingers

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

3 Stars 3 Stars 3 Stars 
Sample or Buy Hood Rat by Eric Perkins
Hood Rat

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

2 Stars 2 Stars 
Sample or Buy Da Dogg by Eric Perkins
Da Dogg

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

2 Stars 2 Stars 
Sample or Buy Home Away From Home by Eric Perkins
Home Away From Home

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

2 Stars 2 Stars 
Sample or Buy I Came To Party by Eric Perkins
I Came To Party

CD: Hood Rat
Label: Mardi Gras

Sample or Buy
Hood Rat

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